The most influential copies of Haeckel’s embryos, in Romanes’s Darwin and After Darwin, vol. 1 (1892).

Featured on PDR in the essay Copying Pictures, Evidencing Evolution

Copying — unoriginal, dull, and derivative by definition — can be creative, contested, and consequential in its effects. Nick Hopwood tracks Haeckel’s embryos, some of the most controversial pictures in the history of science, and explores how copying put them among the most widely seen.

A Series of Embryos at Three Comparable and Progressive Stages of Development

Artist

Date

1892

From

Darwin and After Darwin


Underlying Rights

Public Domain Worldwide

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