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Featured on PDR in the essay Splitting Hairs: Chinese Immigrants, the Queue, and the Boundaries of Political Citizenship

As Chinese immigration to California accelerated across the 19th century, the hairstyle known as the queue — a long, braided pony tail — became the subject of white Americans’ fascination, disgust, and legal regulation. Sarah Gold McBride explores why hair served as an index of political subjecthood, and how the queue exposed cracks in American norms regarding gender, economy, and citizenship.

The Pigtail Has Got to Go

Artist

Date

1898

From

Puck, v. 44, no. 1128


Underlying Rights

Public Domain Worldwide

Digital Rights

No Additional Rights


Image Size

702 x 945 Higher res available?