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The black page in Laurence Sterne’s The Life and Opinions of Tristam Shandy, Gentleman, which first appeared in 1759.

Featured on PDR in the essay Black on Black

Should we consider black a colour, the absence of colour, or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd's attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought.

Black page in Laurence Sterne’s The Life and Opinions of Tristam Shandy, Gentleman

Date

1759

From

The Life and Opinions of Tristam Shandy, Gentleman


Underlying Rights

Public Domain Worldwide

Digital Rights

No Additional Rights


Image Size

1000 x 871 Higher res available?