The Macaroni Print Shop (1772), an etching by Edward Topham published by Matthew Darly. It shows crowds gathered outside the Darly shop, the thriving epicentre of the trade in macaroni prints.
Featured on PDR in the essay A Queer Taste for Macaroni
With his enormous hair, painted face, and dainty attire, the so-called "macaroni" was a common sight upon the streets and ridiculing prints of 1770s London. Dominic Janes explores how with this new figure — and the scandalous sodomy trials with which the stereotype became entwined — a widespread discussion of same-sex desire first entered the public realm, long before the days of Oscar Wilde.