Featured on PDR in the collection The Procession of the Months (ca. 1889)

While others celebrated New Year’s Eve, Walter Crane (1845–1915) mourned December’s passing. Honeymooning in Rome as 1872 drew to a close, the young artist found himself contemplating Shelley’s Dirge for the Year (1821): “January gray is here, / Like a sexton by her grave; / February bears the bier, / March with grief doth howl and rave”. This striking image of a personified calendar inspired Crane’s tempera and gouache The Death of the Year, in which a procession of Months entomb the bier of yesteryear in “a pillared porch of a temple — the house of time.” Shelley aside, Crane was fresh from a trip to the Uffizi, where he had feasted on Spring (ca. 1480) by Botticelli, whose paintings, remembered Crane, had not yet…