Arm of Eve is the only surviving preparatory drawing for Dürer’s life-size panels of Adam and Eve in the Museo del Prado, Madrid (1507). It is also the only surviving drawing by the artist made on Venetian blue paper, a support he began to use for his chiaroscuro studies while visiting Venice in the winter of 1506–7. With extraordinary economy of means, using only black and gray ink and a limited amount of wash and gouache for shading and heightening, Dürer suggested the grace and balance of the complete human form in this composition of a disembodied arm and hand.