Scipio Africanus (ca. 1425–30), intarsia by Mattia di Nanni di Stefano using poplar, bog oak and other wood inlay, rosewood, tin, bone, traces of green colouring.
Featured on PDR in the essay Exquisite Rot: Spalted Wood and the Lost Art of Intarsia
The technique of intarsia — the fitting together of pieces of intricately cut wood to make often complex images — has produced some of the most awe-inspiring pieces of Renaissance craftsmanship. Daniel Elkind explores the history of this masterful art, and how an added dash of colour arose from a most unlikely source: lumber ridden with fungus.