Seemingly first published in astronomer and science fictionist Camille Flammarion’s (1842–1925) L’atmosphère: météorologie populaire (1888), this image has puzzled enthusiasts of the scientific mystic’s works, both for its obscure provenance and cryptic symbolism.
Featured on PDR in the collection Wheels Within Wheels: The “Flammarion Engraving” (ca. 1888)
A man crawls to the ends of earth. He has journeyed for days under the light of a splendorous sun, passed his nights beneath a firmament shot through with stars. There is no reason to look back toward his origin: everything that came before appears at toytown scale against the enormity of his present purpose. Crouching down to explore a seam, the suture where sky and ground meet, the traveler pushes his head through the celestial vault and out into the heavens beyond. Curtains of flames replace the alchemical sun of his old world. In this lacerated empyrean, the planetary bodies move like clockwork — a cosmic machinery whirring along in adherence to laws yet to be discovered, whether natural or divine.