One of Ruysch’s “embalming jars”, from his Thesaurus animalium primus (1710).

Featured on PDR in the essay Frederik Ruysch: The Artist of Death

Luuc Kooijmans explores the work of Dutch anatomist Frederik Ruysch, known for his remarkable ‘still life’ displays which blurred the boundary between scientific preservation and vanitas art.

Embalming Jar by Frederik Ruysch

Artist

Date

1710

From

Thesaurus animalium primus


Underlying Rights

Public Domain Worldwide

Digital Rights

No Additional Rights

  • Labelled “public domain”
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Image Size

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