A free resource, made possible by donations. Support our work. ❤️
This is a user-supported project. Help keep it free and accessible to all — make a donation. ❤️

George Cruikshank’s hand-colored etching of the “golden calf” of cow pox, 1812.

Featured on PDR in the essay “The Mark of the Beast”: Georgian Britain’s Anti-Vaxxer Movement

Ox-faced children, elderly women sprouting horns, and cloven minds — all features attributed to Edward Jenner’s vaccine against smallpox. Introducing us to the original anti-vaxxers, Erica X Eisen explores the “vacca” in the first-ever vaccine: its bovine origins and the widespread worry that immunity came with beastly side effects.

Other works by the artist in the archive…

    Hamlet and the GhostThe First Appearance of William Shakespeare on the Stage of the Globe TheatreAlas, poor Ghost!Family drinking gin while bailiffs take their furnitureWell-dressed clientele in a gin palaceA chaotic scene in a gin shopThe Gin ShopGrimaldi Pursued by His Adoring FansGrimaldi Delivering His ‘Last Song’Joseph GrimaldiA Young Joseph Grimaldi, Dressed as a Monkey, Getting Propelled into the AudienceSatirical cartoon showing doctors as exaggerated figures discussing medical remedies for a patient slumped in a chair, with speech bubbles containing their conflicting advice.

The Cow Pox Tragedy

Artist

Date

1812


Underlying Rights

Public Domain Worldwide

Digital Rights

No Additional Rights

  • Source states “no known restrictions”
  • We offer this info as guidance only

Image Size

1400 x 963